
I am currently in the middle of a bunch of assessments for uni so, as you could have imagined, I have been re-watching episodes of Joss Whedon’s spin-off series of
Buffy, Angel. This got me to thinking about the archetype of the
femme fatale in modern pop-culture.
Apparently there has been some criticism (or a couple of online columnists have been generating the impression of criticisms) of a film that I have been interested in seeing for a while called
Sucker Punch on the grounds that the film is ‘
sexist’. The reported criticisms stem from the fact that a great deal of the story takes place in a brothel and depicts women being abused and subjugated by men. In response to such allegations the film’s director and cast have claimed that the film is actually empowering to women as it shows the central characters overcoming their oppressive environment with the strength of their minds- a strength visualized with various elaborate kung fu fights against giant CGI robots etc. Now, I haven’t seen the film and am therefore not in a position to pass judgement on whether the criticisms (if they actually exist) are valid, but this kind of defence against accusations of potential exploitation on the basis of empowerment reminded me of an issue that I’ve had for a while with the presentation of women in pop-culture, and, in particular, sci-fi. Film-makers, such as Snyder (
Sucker Punch) or Whedon are constantly claiming to be (and are praised for) creating powerful female figures, in order to develop role-models for young women and to subvert assumed gender-roles in our culture. However, it seems to me that people like Whedon (or *shudder* Rodriguez), choose to create powerful heroines and villains specifically to add a legitimacy to their exploitation and objectification. As long as the woman in question is smart, strong and confident, we sensitive postmodern men can feel comfortable with the fact that our heroine is nothing more than a compilation and projection of male desire and is just as enslaved to masculine expectations as good old Barbara from
Night of The Living Dead or even Tabitha from
Bewitched.
What do you think?
(P.S. For the most blatant example of the kind of thinly veiled exploitation that I’m talking about, check out Whedon’s latest show,
Doll House!)